Reading Surfaces: Painting techniques over time
The course will consider the histories of artists’ materials, tools and techniques as they play out on the surfaces of primarily Western paintings c.1300-1800. Close and long looks will be given to paintings inside local museum collections. These sensory experiences will provide a tactile overview of past strategies to represent aspects of the world in two dimensions, from light to dark grounds, from direct to indirect application of color, and from egg to oil. Mechanisms by which paintings deteriorate, and the methods used to stall or quiet that deterioration, to restore the image, will also be observed and discussed. We will begin with 14th century Italian paintings and move forward in time with alternating focus on paintings from northern and southern Europe, and with connections and contrasts drawn to contemporary Ethiopian, Persian, and Latin American paintings. The relative sparseness of research focused on non-Western painting traditions will be critically engaged. Attention will be given to how technique can interact with content, how duration of gaze can manipulate perception, how mutability persists within every apparently static physical object, and how past methods of making can inspire those of today.
Course Code: HTA 319
Instructor(s): Annika Finne