This is a project-based seminar which focuses on photography as a discursive practice. We will examine specific questions relevant to photography now (regarding the relation between politics and aesthetics, mediums and mobility, how images can function to both approximate and deny a sense of 'reality'… ) and discuss these issues in relation to each students’ studio objectives. The format of the class will integrate slide presentations, readings, group discussion and critique. Towards the end of semester, students will develop individual proposals and complete a final project. Although there will be an emphasis on strategies and critical theory related to lens-based media, these ideas can be mined to inspire a wide range of practice. Students with different priorities can thrive in this class— from artists who focus on photography to artists who work across different media.
3 credits. Prerequisite: Photo I. Henry Wolf Chair Liz Deschnes (Fall 2019)
Course Code: FA 364A