Mersiha Veledar is a practicing architect and an educator. She has lived in New York since she was fourteen years old, where she found refuge through the United Nations after the brutal war in Mostar, Bosnia and Herzegovina. Veledar received her Bachelors in Architecture from The Cooper Union in 2003 and her Masters in Architecture II (M. Arch II) from Princeton University in 2005. Her work has been recognized with numerous awards, international publications and exhibitions. Since 2005, she has been teaching fourth year urbanism âArchitecture of the Cityâ studios and third year, âBuilding Integratedâ studios at The Cooper Union and practicing architecture in New York. In 2014, Veledar was promoted to lead a new Architectonics 1st year studio at the Cooper Union taught previously among others by one of her mentors, the visionary architect Lebbeus Woods.
The genesis of her work and studio pedagogy have origins in her âArchitecture can Healâ [advised by Lebbeus Woods and Anders Abraham] hypothesis from the Cooper Union, which received numerous awards and recognitions, during which she decided to focus on typologies of universal intimate scale architectural elements such as walls, columns, windows, doors and stairs among many others as a lexicon of fundamentals common to all cultures, ethnicities and architectures.
Exhibitions: Her independent work has been exhibited throughout Europe and the United States. In 2006, she was invited to participate in the âEurope Lost and Foundâ exhibition. Her Cooper Union Thesis , was exhibited at the Gallerie fĆ±r ZeitgenĂ¶ssische Kunstin in Leipzig [Contemporary Museum of Art ] as part of an exhibition titled Kulturelle Territorien. Her urbanism studio project , âExile and Urban Path of the Obeliskâ advised by Professor Diane Lewis, Georg Windeck and Peter Shubert was shown at the XXI UIA World Congress of Architecture in Berlin. The same year, her paintings were exhibited in the âDrawing on the Human Spiritâ exhibition at the New York Society for Arts, Religion and Contemporary Culture. Works she did of the devastation of downtown New York on 9/11 were documented by Channel 1 NYC's âAfter the World Trade Center.â
Publications: Her work has been published in many venues, including Open City: An Existential Approach by Charta Books, pgs. 9, 10, 197 (essay), pgs. 29-213 (teaching) , 30 Artists, 30 Days, 2013 by VisionareWorld, Fortnight Journal â Edition 3, Mersiha Veledar Video-Stories on path of Survival from a War Torn Country , CatĂĄlogos de Arquitectura, NÂș. 20, 2007; Architects Draw, Princeton Architectural Press ; Gewandhaus Vorschau, Article; Photography Now , Nr1.05; Kunstindex, Leipzig, Balkan Urbanismus, Die bosnische Chronik Die Zukunft ist nicht, was sie einmal WAR ; Body, âInside NJ the âGardenâ State: 6000 Brownfieldsâ, 2005; Camera Austria, Nr. 88, 2004; Ein Architektur-Novum, 25 November  SÏdwest Presse  StadtBauwelt, (48/04), 23 December 2004; Mersiha Veledar interview, Architecture Heals and War Architecture Research  The Cooper Union Magazine; Text, Intertext, Context: The Literary Dimension of the City: Rome, Berlin, New York, The New Egyptian Wing at the Metropolitan Museum of Art  The Cooper Union.
Lectures: In 2015, Veledar moderated the âDomus/Locusâ Open City: Existential Urbanity Symposium panel at the New Museum, NYC with distinguished guests Michael Webb, Merrill Elam, Jonathan Kirchenfeld, Fred Biehle, and studio alumni. Additionally, she was also a panelist during the âCities of Catastropheâ panel moderated by Dan Sherer at the Museum of Modern Art, MoMA, on an urbanism studio (taught in 2007) with distinguished guests Nader Tehrani (Dean Cooper Union), Scott Cohen, Mac Scogin and studio alumni: Uri Wegman, Christian Cotzamanis, Lis Cena, Yevgeny Koramblyum. She spoke of her essay titled âHealing the Cityâ she wrote for Open City: Existential Urbanity publication and her path of survival from a war torn county. In 2013, she presented a lecture on her independent work to the Cooper Union School of Architecture, titled âArchitecture of Healingâ where she spoke of her early work and focus on giving new hope to architecture in trauma. In December 2009, Veledar gave a lecture at the Royal Danish Academy of Fine Arts, School of Architecture in Copenhagen and served as a Guest Professor in the âArchitecture, City and Buildingâ Department, with Professor Anne Romme. In 2006, she was invited by Bauhaus Kolleg, Bauhaus Dessau Foundation, Friedrich-Ebert Foundation to take part in the UN-Urbanism Program of the Bauhaus Kolleg. Additional invited experts included: Azra Aksamija (Aga Khan Program for Islamic Architecture, MIT), Aleksandr Stular (UN-Habitat Mostar), Rolf van Uye (Director of OSCE, RC Mostar), Andrea Vonkeman (UNHCR Sub-Office Mostar), Michael Weichert (Friedrich Ebert Foundation). In 1996, she spoke at an international press conference at the United Nations about her personal path of survival from a war torn country.
Awards and Recognitions: Upon Graduating from the Cooper Union, Veledar was the recipient of prestigious Irma Giustino Weiss Thesis Prize, given to one Cooper Union Graduate who demonstrates the greatest potential for future success upon the receipt of a Bachelorâs Degree from The School of Architecture. This recognition enabled her to examine further her hypothesis and begin the foundations of her work. In addition, she received the George Ledlie Fund Prize the AIA New York Chapter and The New York Foundation for Architecture Grants and Scholarships Architectural Auxiliary Eleanor Allwork Scholarship Grant, the AIA/AAF Scholarship for First Professional Degree Candidates, the United Federation of Teachers (UFT) Albert Shanker College Scholarship Fund, and the Richter Memorial Scholarship Fund.
Professional Experience: Her professional work, among a few, includes Skidmore, Owings and Merrill, Education Lab Studio headed by design partner Roger Duffy. Built works include High School of Art and Design and Primary School 59 at 250 E. 57th Street in New York City; Elizabeth Academic High School, Elizabeth, New Jersey; and Chattrapati Shivaji International Airport, Mumbai, India. She also worked on the winning competition entry for the new airport in Lisbon, Portugal. In addition, Veledar curated the SOM evening lecture series in 2010 where she decided to focus on an interdisciplinary panel approach of lecturers where she invited art, architecture and engineering practitioners and was also the Associate Editor of the âSOM Journal 5â with Kenneth Frampton, Juhani Pallasmaa and Francesco dal Co in 2008.
Veledar is a practicing architect in New York City. In 2013, she started an independent atelier called Veledar Workshop whose focus is on research of small scale elements in architecture where she tests the boundaries of experimentation, trans-formation and concrete actualization of built form. Additionally, having witnessed the fall of civic institutions through man-made disasters, she has also focused on an array of public and private programs ranging in scales from airports, schools, museums, to housing. In her professional experience, Veledar has built work both in New York City and overseas.
View Mersiha Veledar's CV here.