Professor Diane Lewis invited as Guest Editor for Spring 2013 issue of Framework

April 09, 2013

Cooper Union Stock Photo

 

The current issue of Framework: The Journal of Cinema and Media includes essays by School of Architecture faculty and alumni.

"In the dossier, Architects on Film: Architects on the Frame, guest edited by Diane Lewis, ten architects were asked to examine a single film still and to write about it in a single page in whatever manner they chose. Each piece, with a personal, almost dreamy, quality, is distinct. At times the still is discussed on its own; at times supporting images are used. Some pieces have a journal-like tone, others seem like a reflection, others are meditative, and others an exegesis. Each is its own “house.”

The essays look at an architectural element in a film and the film itself. This appears as the wall in Soy Cuba (Mikhail Kalatozov, CU/SU, 1964), the beach house in Kiss Me Deadly (Robert Aldrich, US, 1955), the cathedral implicit in the Hollywood metaphor of the epic as cathedral in Good Morning, Babylon (Paolo Taviani & Vittorio Taviani, FR, 1987), the spatiality in Nostalgia (Andrei Tarkovsky, IT/SU, 1983), the blurry horizon ofLe mépris/Contempt (Jean-Luc Godard, FR/IT, 1963), the slice of a building and slice of personal separation in Medianeras/Sidewalls (Gustavo Taretto, AR/ES/DE, 2011), the gray and white tone of the day inside a church in Winter Light (Ingmar Bergman, SE, 1963) the relationship in2001: A Space Odyssey (Stanley Kubrick, US/UK, 1968) of cold, infinite outer space to earthly living space and more. Many of these cinematic details have been noted often by cinephiles but here these details are seen as pieces of a larger world frame where, arguably, film is as organic to our societies, as buildings are." —Drake Stutesman

 
Contributing authors to DOSSIER: Architects on Film: Architects on the Frame include:
 
Diane Lewis, Guest Editor
Introduction
 
Alessandro Melis
Good Morning, Babylon: The Cathedral Is a Movie
 
Juhani Pallasmaa
The Epic Frame
 
Catherine Ann Somerville Venart
Langsamkeit/Slowness: Meditating on the Frame: Blind Spots and the Construction of Erotic Space in Andrei Tarkovsky’s Nostalgia
 
Black and White Equals Gray
 
Medianeras/Sidewalls: A Film by Gustavo Taretto
 
Wes Rozen (AR '05)
Out of Body Experience
 
Framing
 
Emma Fuller (AR '06)
Dark Matter
 
  • Founded by inventor, industrialist and philanthropist Peter Cooper in 1859, The Cooper Union for the Advancement of Science and Art offers education in art, architecture and engineering, as well as courses in the humanities and social sciences.

  • “My feelings, my desires, my hopes, embrace humanity throughout the world,” Peter Cooper proclaimed in a speech in 1853. He looked forward to a time when, “knowledge shall cover the earth as waters cover the great deep.”

  • From its beginnings, Cooper Union was a unique institution, dedicated to founder Peter Cooper's proposition that education is the key not only to personal prosperity but to civic virtue and harmony.

  • Peter Cooper wanted his graduates to acquire the technical mastery and entrepreneurial skills, enrich their intellects and spark their creativity, and develop a sense of social justice that would translate into action.