Sharon Hayes is an artist who engages multiple mediums including video, performance and installation in an ongoing investigation into specific intersections between history, politics and speech. Hayes’ work is concerned with developing new representational strategies that examine and interrogate the present political moment as a moment that reaches simultaneously backward and forward; a present moment that is never wholly its own but rather one that is full of multiple past moments and the speculations of multiple futures. From this ground, Hayes often addresses political events or movements from the 1960s through the 1990s and into the present moment. Her focus on the particular sphere of the near-past is influenced by the potent intersection of private and public urgencies in her own foundational encounters with feminism and AIDS activism.
Hayes has had recent solo exhibitions at Andrea Rosen Gallery (New York), Tanya Leighton Gallery (Berlin), the Whitney Museum of American Art (New York) and the Museo Nacional Centro de Arte Reina Sofia (Madrid). Her work been shown at the Gwangju Biennale (2014), Venice Biennale (2013), the Museum of Modern Art (New York), the Guggenheim Museum (New York) and numerous museums and venues in Europe and the Americas. Hayes is the recipient of a Guggenheim Fellowship (2014), the Alpert Award in Visual Arts (2013), an Anonymous Was a Woman Award (2013), Louis Comfort Tiffany Foundation Fellowship (2007) among other awards.